© 2008
[variorum edition, or, what a bunch of turgid bullshit]
Creative Work and the Division of Labour(ers)
Creative work is neither play nor slavery. It is the concretisation of the imaginative, the transforming of the world and ourselves. We can all do it too, or can learn to … under ‘communism’. We just may not be able to do it exclusively. (Who ‘polishes the boots under communism’? Unpleasant, uncreative tasks may, where possible, be (semi-)automated, redesigned, obviated (made unnecessary for the aim), made pleasant, or failing that, shared — which includes ‘doing it yourself’. Only after exhausting these possibilities will we use bribery, blackmail or force ‘on ourselves’ — or do without. Though while we do not live by bread alone, we cannot live long without it.)
An advanced society without a mandatory division of labour(ers) is possible only through the massive intensification of creativity and ‘all-round development’ of each individual, a truly ‘liberal education’ for all. It would be supine and preposterous to think that the drive for socialism is dead after a mere 164 years.
Technology, Invention, Metaphor
In other words, we must expand ‘human nature’ through productive technology, artistic and scientific. Technology here means technique of all kinds and its embodiment. It transcends mere jimber-jawed gadgetry spawned by the Corporation Militant, and spans the range from banjo-playing to building cities and beyond. It is possibly the key to our survival and even flourishing as a species (if we don’t kill ourselves with it first), and is frequently a form of dynamic architecture or sculpture , often literally ‘poetry in motion’. It is the product of our hand and brain, and reflects the diseases of each. It may even be metaphor in action. E.g., take ‘the sun is a marigold on a mirror’. Perhaps the ’sun’ could be a newfound(ed) city (apologies to Dantë, Campanella and Arnold Wesker) in which energy and matter are used at many times their present ‘efficiency’. Utopia is nowhere, but the materials for making it are all around us.
The dialectic in my terms is at least heuristic, like induction or ‘thought experiments’.
Dialectic, Map-Making
The mind builds itself from the environment it modifies. Invention is art, art is invention. Poetry is like cartography. There is a radical difference between the map and the territory , the plan of a house or city and the actual building of one. The one contains or implies the other through successive approximations and the productive process is the ‘dance’ between the two. The finished product(s) generally begin(s) that process again.
Liberation
Creative or intelligently productive work uniting hand and brain (whose products are not filched away by a taskmaster), is the key to the liberation of humanity. Progress requires power. Work, stored and saved, is lasting power, but not the sort which can be easily sequestered by an individual. Society should employ the greatest trained intelligence of the greatest number, an ever-growing cadre of the educationally ‘enhanced’ which will eventually embrace all humanity.
Exchange, too, if it is necessary where we are simultaneously directors of production and consumption, will benefit.
Dialectical Metaphor & ‘Technology’
One way of enhancing this ‘mental labour factor(y)’ may be the use of ‘dialectical’ metaphor , and not always verbally — music, for example, is an exercise in the passage of quantity (frequency of vibrations) into quality. This may be something we can all lend ourselves to, even at the present early stage of the development of human nature. The length of time people have been on this planet is but an eyeblink compared to even mammalian or hominid life, let alone life in general.
A ‘dialectical metaphor’ selects as its ‘vehicle’ the dialectical ‘opposite’ of the ‘tenor’ implied by it in the context of the ‘story’ (history) being examined. So, for private property, public [not-private] property; ‘private property is public property’. That implies a situation in which private property has become, been made, public. But what can that mean? This question may well spark off a long discussion (as it did with Marx, Economic and Philosophical Manuscripts, 1844).
I am interested in exploring ingenious or ‘gestaltic’ metaphor (essentially, ‘diaphor’) and its use in revolutionary praxis for producing new syntheses, new social liberatory ‘devices’, artistic and technical — to avail ourselves of maximum creativity from the ‘greatest number’, these may be designed/embodied, or embedded within a story, play, painting or poem.
There is a potential concrete relationship between metaphor and its purpose or object: particularly the overarching purpose of a task in the context of the whole project or conjuncture. That is a non-alienating relationship which is both political and economic.
The use of such metaphor is the essence of power and genuine ‘empowerment’. Metaphor in such a case is the fusing of an idea, originating in the material brain, with that new (shard of) reality made under its guidance, crossing like a spark a ‘productive barrier’ or gap; ‘metaphor’ can only be fully understood as part of the labour process, individual and collective, whether in literature or anywhere else.
What one needs to understand is the causal, teleological (partly planned, partly adventitious) relationship, and how the best metaphor — in both the arts and poetry — brings new knowledge of that which is not yet known or made. (The known and made, as Vico saw, relate.)
Thus to me, it is obvious that labour may produce and use metaphor, though is not itself metaphor, where ‘metaphor’ entails a purely ideational relation between a concept and its ‘signifier’ (itself a thing intentionally manufactured in the real world) . Metaphors are the productive goods of thought, which itself is a labour and a guide to action in a resistant context.
Utopia? Building the Poem of the Future?
But I am not advocating utopianism. We must first defeat the shark and the pilot fish, the leviathan of aristocratising capitalism and its underlings. Indeed, we now face the epochal struggle for democratic control of our ‘globalised’ planet. But for this we must have a sun to follow, a spiral journey taking us into unknown starfields in which the supposed ‘finite earth’ is awake to the whole universe. That is the most exalted form of creation we can achieve.